Kim Adams: Models and Toaster Wagon Works
July 9 - August 14, 2005

Kim Adams, a major artist both nationally and internationally, will exhibit
large- and small-scale sculptures that simultaneously clarify and
mystify the machinations of contemporary culture. One cannot regard Adams’ work
without initially considering his choice of working material and
the familiarity of his sculptural forms: he appropriates pre-existing structures
and objects
which are chopped and transformed into a hybrid of non-utilitarian
function. His palette in the large scale works comprises the recognizable
forms of
automobile body parts, prefabricated industrial and farm storage
units
and the immediately recognizable domestic ware of ironing boards
and garden sheds
found at the local Canadian Tire store.
His assembling technique consciously challenges our inherent ordering
of the objects’ worth or hierarchy, presenting a visual and psychological
conundrum to challenge accepted aesthetics. His vision lies in this
ability to transform the raw material of the banal with such facile and
disturbing
ease.
The ‘models,’ small-scale sculptures fabricated from plastic
kits from the world of model train sets, are built to the universal 00 scale,
which is 1/87th life-size. Adams explains that these projects can be realized
as full scale objects because the world of kit models only mimics the existing
world. We experience to the anonymous domain of commercial and industrial
objects, truck containers, storage tanks, pipes and gantries – the
familiar forms that shape the industrial setting which, like with
his larger sculptures, are chopped and reconstructed as semi-functioning
anomalies.
A figure is invariably present to bear witness to his persistence
of scale. These figures watch and seem to imply a contemporary
tableau where
action is frozen and meaning or allegory implied. This form stimulates
an acute perception of his cynical and whimsical humour and his
ongoing anthropological
study on the transient nature of a fugitive society. - Tony Massett